This Color Purple may have won a Tony, but its cut to the bone
Director John Doyle has been universally praised for removing dancing and scenery from the Broadway musical “The Color Purple.” But is stripping a big show down to concert scale really an upgrade? The austere approach papers over the flaws of the sprawling, overdrawn story about villainous men and determined, winning women. It doesn’t make the rambling piece a dramatically better musical.
But because Alice Walker’s Pulitzer-winning 1982 novel delivered a durable message that America still needs to hear about resistance and empowerment, and because the show wraps those sentiments in crafty blues and gospel tunes, even this lean “The Color Purple” — the 2016 Tony Award winner for best revival, now at the Kennedy Center — flickers with powerhouse moments.
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